THOUGH NEVER A HUGE ATTENTION-GETTER, the Best Foreign Language category in this weekend’s Oscar awards contains, as often, some very powerful cinema among its five nominees.
And if the runes cast before us by earlier rounds of the awards season are any guide, one film is close to being a shoo-in for the ‘Best Foreign’ statuette.
Son of Saul from Hungary (directed by László Nemes – or Nemes László, to use courteously the proper Hungarian ordering of names) comes lauded already as ‘Best Foreign’ among the Golden Globes winners, and before that was awarded the Grand Jury Prize at the Cannes Film Festival. Continue reading “Amid Oscars’ Glitziness, a Grim Film with Wrenching Reality” »